Monday, 13 July 2020

3 Cinematography Tips All Filmmakers Should Know


 John De Titta
Cinematography can mean a lot of things, but its ultimately about capturing your desired images. Communicating the various techniques used to capture these images is what separates a working professional and a student.
 
Manage your time effectively

The camera and lighting crew is often the biggest crew on a film set. You are going to be interacting with all of those department heads, and you are directly (or indirectly) in charge of all of them and their work. This means always having a plan and executing it and having and respecting storyboards and a shot list. You might feel that you do not have much on your plate after devising a strategy but the cinematography is no joke. It is essential to manage your time as this will allow you to handle other things in an efficient way. Furthermore, you will also get to learned exceptional things in this regard with such an approach. 

Be ready

In film school, you most likely learned how to light. But did you learn how to light fast? Or how to efficiently adjust when daylight is almost gone? When you might not make the day and you feel the entire production waiting as you get a little fill on the lead actress? Always be ready. But how? Be prepared. The crew will often look to you to move forward. Don’t let them down. Use shot list software to know the ins and outs of every shot. It doesn't stop with the shot. The shooting schedule is just as critical. Communicate with your AD so you can prioritize the order you'll be shooting which scenes. That means working with film scheduling software and seeing how logistics will affect everything you do.

Be an artist 

While you shouldn’t get too precious with your work, and always serve the story, be versed in visual art and design terminology. It can be a great shorthand with your Director and Production Designer, as well as others. Time is of the essence and great cinematography need not be painstaking. At the same time, treat your shots, and each frame, like a work of art you want to get right.